I like the way you handled the line in the top left one, there's a nice rhythm to it. These drawings are pleasing to look at because they're neat and clean, but it also makes them look like they're not moving as much. It also might be nice to see some faces.
Nina, The upper left drawing is the strongest, I feel. It has a good sense of weight shift. I would, however, echo Kirsten's comments - try to describe faces, hands and feet more - and more importantly, loosen up. Don't treat these as anything other than gestures. Work loosely and lightly - then focus your line on defining form, then adding the details necessary to give your subject character.
I like the way you handled the line in the top left one, there's a nice rhythm to it. These drawings are pleasing to look at because they're neat and clean, but it also makes them look like they're not moving as much. It also might be nice to see some faces.
ReplyDeleteNina,
ReplyDeleteThe upper left drawing is the strongest, I feel.
It has a good sense of weight shift.
I would, however, echo Kirsten's comments - try to describe faces, hands and feet more - and more importantly, loosen up. Don't treat these as anything other than gestures. Work loosely and lightly - then focus your line on defining form, then adding the details necessary to give your subject character.